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7. Singing the Contentions of Place: Korean Singers of the Heart and Soul of Japan
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Musical Intersections, Embodiments, and Emplacements 1
-
Part One: Landscape and Emotion
- 1. Engendering Emotion and the Environment in Vietnamese Music and Ritual 17
- 2. Gendering Emotional Connections to the Balinese Landscape: Exploring Children’s Roles in a Barong Performance 38
- 3. Performing Emotion, Embodying Country in Australian Aboriginal Ritual 63
-
Part Two: Memory and Attachment
- 4. Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place 85
- 5. Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria 109
- 6. A Place of Her Own: Gendered Singing in Poland’s Tatras 127
-
Part Three: Nationalism and Indigeneity
- 7. Singing the Contentions of Place: Korean Singers of the Heart and Soul of Japan 147
- 8. “In Our Foremothers’ Arms”: Goddesses, Feminism, and the Politics of Emotion in Sámi Songs 162
- Afterword 185
- Selected Bibliography 195
- Contributors 201
- Index 203
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Musical Intersections, Embodiments, and Emplacements 1
-
Part One: Landscape and Emotion
- 1. Engendering Emotion and the Environment in Vietnamese Music and Ritual 17
- 2. Gendering Emotional Connections to the Balinese Landscape: Exploring Children’s Roles in a Barong Performance 38
- 3. Performing Emotion, Embodying Country in Australian Aboriginal Ritual 63
-
Part Two: Memory and Attachment
- 4. Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place 85
- 5. Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria 109
- 6. A Place of Her Own: Gendered Singing in Poland’s Tatras 127
-
Part Three: Nationalism and Indigeneity
- 7. Singing the Contentions of Place: Korean Singers of the Heart and Soul of Japan 147
- 8. “In Our Foremothers’ Arms”: Goddesses, Feminism, and the Politics of Emotion in Sámi Songs 162
- Afterword 185
- Selected Bibliography 195
- Contributors 201
- Index 203