Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction: Musical Intersections, Embodiments, and Emplacements 1
5. Part One: Landscape and Emotion
6. 1. Engendering Emotion and the Environment in Vietnamese Music and Ritual 17
7. 2. Gendering Emotional Connections to the Balinese Landscape: Exploring Children’s Roles in a Barong Performance 38
8. 3. Performing Emotion, Embodying Country in Australian Aboriginal Ritual 63
9. Part Two: Memory and Attachment
10. 4. Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place 85
11. 5. Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in East Bavaria 109
12. 6. A Place of Her Own: Gendered Singing in Poland’s Tatras 127
13. Part Three: Nationalism and Indigeneity
14. 7. Singing the Contentions of Place: Korean Singers of the Heart and Soul of Japan 147
15. 8. “In Our Foremothers’ Arms”: Goddesses, Feminism, and the Politics of Emotion in Sámi Songs 162
16. Afterword 185
17. Selected Bibliography 195
18. Contributors 201
19. Index 203