Startseite Literaturwissenschaften 4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates
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4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates

  • Frank Finlay
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© 2009, Boydell and Brewer

© 2009, Boydell and Brewer

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  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction 1
  5. 1: W. G. Sebald and German Wartime Suffering 15
  6. 2: The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings 29
  7. 3: Expulsion Novels of the 1950s: More than Meets the Eye? 42
  8. 4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates 56
  9. 5: Family, Heritage, and German Wartime Suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm 70
  10. 6: Lost Heimat in Generational Novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath 86
  11. 7: “A Different Family Story”: German Wartime Suffering in Women’s Writing by Wibke Bruhns, Ute Scheub, and Christina von Braun 102
  12. 8: The Place of German Wartime Suffering in Hans-Ulrich Treichel’s Family Texts 118
  13. 9: “Why only now?”: The Representation of German Wartime Suffering as a “Memory Taboo” in Günter Grass’s Novella Im Krebsgang 133
  14. 10: Rereading Der Vorleser, Remembering the Perpetrator 147
  15. 11: Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte’s Air Raids Epic 162
  16. 12: Günter Grass’s Account of German Wartime Suffering in Beim Häuten der Zwiebel: Mind in Mourning or Boy Adventurer? 177
  17. 13: Jackboots and Jeans: The Private and the Political in Uwe Timm’s Am Beispiel meines Bruders 191
  18. 14: Memory-Work in Recent German Novels: What (if Any) Limits Remain on Empathy with the “German Experience” of the Second World War? 205
  19. 15: “Secondary Suffering” and Victimhood: The “Other” of German Identity in Bernhard Schlink’s “Die Beschneidung” and Maxim Biller’s “Harlem Holocaust” 219
  20. Works Cited 233
  21. Contributors 251
  22. Index 255
Heruntergeladen am 20.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9781571137364-006/html
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