Home Literary Studies 4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates
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4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates

  • Frank Finlay
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© 2009, Boydell and Brewer

© 2009, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction 1
  5. 1: W. G. Sebald and German Wartime Suffering 15
  6. 2: The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings 29
  7. 3: Expulsion Novels of the 1950s: More than Meets the Eye? 42
  8. 4: “In this prison of the guard room”: Heinrich Böll’s Briefe aus dem Krieg 1939–1945 in the Context of Contemporary Debates 56
  9. 5: Family, Heritage, and German Wartime Suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm 70
  10. 6: Lost Heimat in Generational Novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath 86
  11. 7: “A Different Family Story”: German Wartime Suffering in Women’s Writing by Wibke Bruhns, Ute Scheub, and Christina von Braun 102
  12. 8: The Place of German Wartime Suffering in Hans-Ulrich Treichel’s Family Texts 118
  13. 9: “Why only now?”: The Representation of German Wartime Suffering as a “Memory Taboo” in Günter Grass’s Novella Im Krebsgang 133
  14. 10: Rereading Der Vorleser, Remembering the Perpetrator 147
  15. 11: Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte’s Air Raids Epic 162
  16. 12: Günter Grass’s Account of German Wartime Suffering in Beim Häuten der Zwiebel: Mind in Mourning or Boy Adventurer? 177
  17. 13: Jackboots and Jeans: The Private and the Political in Uwe Timm’s Am Beispiel meines Bruders 191
  18. 14: Memory-Work in Recent German Novels: What (if Any) Limits Remain on Empathy with the “German Experience” of the Second World War? 205
  19. 15: “Secondary Suffering” and Victimhood: The “Other” of German Identity in Bernhard Schlink’s “Die Beschneidung” and Maxim Biller’s “Harlem Holocaust” 219
  20. Works Cited 233
  21. Contributors 251
  22. Index 255
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