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18. The ‘World That Sang and Listened’: Yeats and Florence Farr’s ‘New Art’ of Verse Speaking
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations viii
- Acknowledgements xiii
- Introduction 1
-
Part I Contexts and Concepts
- 1. Yeats, William Morris and the Aesthetics of the Everyday 17
- 2. Yeats and The Savoy: French Decadence and Irish Poetry 36
- 3. The Institutionalisation of Art in Dublin: Yeats, Sociability and Transnationalism 53
- 4. The Virtual Archive of Anima Mundi 67
- 5. On the Scale of Art and the Aesthetics of Difficulty: Rereading ‘Lapis Lazuli’ as Ecological Critique 83
- 6. Knowing Ruskin’s Cat: Yeats and the Proper Names of the Aesthetic 99
- 7. Cuchulain the Cowboy: A Tale of Yeats and the Wild West 112
-
Part II Visual and Material Culture
- 8. Yeats, Blake and the Romanticism of the Arts and Crafts Movement 129
- 9. Yeats and Edwardian Languages of Art 146
- 10. The Wild Swans at Coole (1917, 1919), Michael Robartes and the Dancer (1921) and the Limits of Portraiture 159
- 11. A ‘cacophony of sardine tins’: Yeats and Modern Art 177
- 12. Yeats, Byzantine Art and Celtic Occultism 193
- 13. A Swedish Bounty: Yeats, Public Art and European Nationalisms in the Free State 208
- 14. Preservation and Proportion in ‘The Municipal Gallery Revisited’ 224
- 15. Late Yeats, Print and Symbolic Book Design: The Case of Responsibilities 238
- 16. Illustrating the 1935 and 1937 Cuala Press Broadsides 252
- 17. Poetry, Painting and Posterity: Yeats as Example and Burden 268
-
Part III Performance and Sound
- 18. The ‘World That Sang and Listened’: Yeats and Florence Farr’s ‘New Art’ of Verse Speaking 285
- 19. ‘Music had driven their wits astray’: Raftery, Nietzsche and the Applied Arts 306
- 20. Yeats and Wagner: The Countess Cathleen and Other Plays 328
- 21. ‘We must have a new kind of scenic art’: Yeats’s Set Design and Stagecraft 345
- 22. Yeats, Gender-Bending and the Art of Transvestism 361
- 23. The Dramaturgy of Movement: Choreographic Writing in The Dreaming of the Bones 376
- 24. Choreographic Collaborations: Yeats and Ninette de Valois 394
- 25. ‘Lose my words in patterns of sound’: Music in the Dance Plays for Ninette de Valois 409
- 26. Yeats’s Common Measure: The Later Ballads 423
- Notes on Contributors 442
- Index 446
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations viii
- Acknowledgements xiii
- Introduction 1
-
Part I Contexts and Concepts
- 1. Yeats, William Morris and the Aesthetics of the Everyday 17
- 2. Yeats and The Savoy: French Decadence and Irish Poetry 36
- 3. The Institutionalisation of Art in Dublin: Yeats, Sociability and Transnationalism 53
- 4. The Virtual Archive of Anima Mundi 67
- 5. On the Scale of Art and the Aesthetics of Difficulty: Rereading ‘Lapis Lazuli’ as Ecological Critique 83
- 6. Knowing Ruskin’s Cat: Yeats and the Proper Names of the Aesthetic 99
- 7. Cuchulain the Cowboy: A Tale of Yeats and the Wild West 112
-
Part II Visual and Material Culture
- 8. Yeats, Blake and the Romanticism of the Arts and Crafts Movement 129
- 9. Yeats and Edwardian Languages of Art 146
- 10. The Wild Swans at Coole (1917, 1919), Michael Robartes and the Dancer (1921) and the Limits of Portraiture 159
- 11. A ‘cacophony of sardine tins’: Yeats and Modern Art 177
- 12. Yeats, Byzantine Art and Celtic Occultism 193
- 13. A Swedish Bounty: Yeats, Public Art and European Nationalisms in the Free State 208
- 14. Preservation and Proportion in ‘The Municipal Gallery Revisited’ 224
- 15. Late Yeats, Print and Symbolic Book Design: The Case of Responsibilities 238
- 16. Illustrating the 1935 and 1937 Cuala Press Broadsides 252
- 17. Poetry, Painting and Posterity: Yeats as Example and Burden 268
-
Part III Performance and Sound
- 18. The ‘World That Sang and Listened’: Yeats and Florence Farr’s ‘New Art’ of Verse Speaking 285
- 19. ‘Music had driven their wits astray’: Raftery, Nietzsche and the Applied Arts 306
- 20. Yeats and Wagner: The Countess Cathleen and Other Plays 328
- 21. ‘We must have a new kind of scenic art’: Yeats’s Set Design and Stagecraft 345
- 22. Yeats, Gender-Bending and the Art of Transvestism 361
- 23. The Dramaturgy of Movement: Choreographic Writing in The Dreaming of the Bones 376
- 24. Choreographic Collaborations: Yeats and Ninette de Valois 394
- 25. ‘Lose my words in patterns of sound’: Music in the Dance Plays for Ninette de Valois 409
- 26. Yeats’s Common Measure: The Later Ballads 423
- Notes on Contributors 442
- Index 446