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Frontmatter

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© 2024, Edinburgh University Press, Edinburgh

© 2024, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. List of Illustrations viii
  4. Acknowledgements xiii
  5. Introduction 1
  6. Part I Contexts and Concepts
  7. 1. Yeats, William Morris and the Aesthetics of the Everyday 17
  8. 2. Yeats and The Savoy: French Decadence and Irish Poetry 36
  9. 3. The Institutionalisation of Art in Dublin: Yeats, Sociability and Transnationalism 53
  10. 4. The Virtual Archive of Anima Mundi 67
  11. 5. On the Scale of Art and the Aesthetics of Difficulty: Rereading ‘Lapis Lazuli’ as Ecological Critique 83
  12. 6. Knowing Ruskin’s Cat: Yeats and the Proper Names of the Aesthetic 99
  13. 7. Cuchulain the Cowboy: A Tale of Yeats and the Wild West 112
  14. Part II Visual and Material Culture
  15. 8. Yeats, Blake and the Romanticism of the Arts and Crafts Movement 129
  16. 9. Yeats and Edwardian Languages of Art 146
  17. 10. The Wild Swans at Coole (1917, 1919), Michael Robartes and the Dancer (1921) and the Limits of Portraiture 159
  18. 11. A ‘cacophony of sardine tins’: Yeats and Modern Art 177
  19. 12. Yeats, Byzantine Art and Celtic Occultism 193
  20. 13. A Swedish Bounty: Yeats, Public Art and European Nationalisms in the Free State 208
  21. 14. Preservation and Proportion in ‘The Municipal Gallery Revisited’ 224
  22. 15. Late Yeats, Print and Symbolic Book Design: The Case of Responsibilities 238
  23. 16. Illustrating the 1935 and 1937 Cuala Press Broadsides 252
  24. 17. Poetry, Painting and Posterity: Yeats as Example and Burden 268
  25. Part III Performance and Sound
  26. 18. The ‘World That Sang and Listened’: Yeats and Florence Farr’s ‘New Art’ of Verse Speaking 285
  27. 19. ‘Music had driven their wits astray’: Raftery, Nietzsche and the Applied Arts 306
  28. 20. Yeats and Wagner: The Countess Cathleen and Other Plays 328
  29. 21. ‘We must have a new kind of scenic art’: Yeats’s Set Design and Stagecraft 345
  30. 22. Yeats, Gender-Bending and the Art of Transvestism 361
  31. 23. The Dramaturgy of Movement: Choreographic Writing in The Dreaming of the Bones 376
  32. 24. Choreographic Collaborations: Yeats and Ninette de Valois 394
  33. 25. ‘Lose my words in patterns of sound’: Music in the Dance Plays for Ninette de Valois 409
  34. 26. Yeats’s Common Measure: The Later Ballads 423
  35. Notes on Contributors 442
  36. Index 446
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