Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES vii
4. ACKNOWLEDGEMENTS ix
5. INTRODUCTION: ‘BEASTLY MODERNISMS’ 1
6. Part I: Companion Species
7. 1 META MODERNIST BEASTS, OR FLUSH’S FUTURE: CERIDWEN DOVEY’S ONLY THE ANIMALS AND SIGRID NUNEZ’S MITZ: THE MARMOSET OF BLOOMSBURY 23
8. 2 CAN FLUSH COUNT?: VIRGINIA WOOLF, ANIMALITY AND NUMBERS 38
9. 3 CANINE COMPANIONS, RACE AND AFFECTIVE ANTHROPOMORPHISM IN FLORENCE AYSCOUGH’S THE AUTOBIOGRAPHY OF A CHINESE DOG (1926) AND MARY GAUNT’S A BROKEN JOURNEY (1919) 56
10. Part II : Beastly Traces
11. 4 MAKING AN IMPRESSION DEEPLY : AUTHORISING ANIMALS IN D. H. LAWRENCE 75
12. 5 FOLLOWING THE BEAST FAMILIAR: DJUNA BARNES’S FAMILY DRAMAS 91
13. 6 THE TAXIDERMIC IMAGINARY IN MODERNIST LITERAT URE 107
14. Part III: Animal, Nation, Empire
15. 7 SPECIES CLEANSING: THE RHETORIC OF RAT CONTROL IN THE PEOPLE’S REPUBLIC OF POLAND 1945–1956 125
16. 8 THE BARKING DOG AND CRYING BIRD IN PARTITION STORIES: BEASTLY MODERNISM AND THE SUBALTERN ANIMISM OF MANTO, RAKESH AND ANAND 143
17. 9 RESISTANT REINDEERS: HUMAN–ANIMAL RELATIONS AND CULTURAL SELF-APPROPRIATION IN SÁMI ART AND LITERATURE 159
18. Part IV: Intersections, Encounters
19. 10. ANIMAL–HUMAN ENTANGLEMENTS IN THE CANADIAN WILD ANIMAL STORIES OF CHARLES G. D. ROBERTS 181
20. 11 ENCOUNTERING FEMALE HUMAN ANIMAL BECOMINGS IN LEONORA CARRINGTON ’S SURREALIST HYBRID TALES 198
21. 12 MODERN INTERSECTIONS: READING ANITA SCOTT COLEMAN’S ANIMALS 215
22. Part V: Extinction, War, Proliferation
23. 13 1940s AVIAN NOIR 231
24. 14 UNHOMING THE PIGEON: AHMED ALI’S TWILIGHT IN DELHI 248
25. 15. THE MODERNIST JELLY FISH 263
26. AFTERWORD: THE ANIMAL IN THE MIRROR 279
27. NOTES ON CONTRIBUTORS 292
28. Index 297