Kapitel
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4 Sincerity and irony
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Nicholas Rombes
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Notes on the contributors vii
- Acknowledgements xi
- Introduction 1
-
Part I Backgrounds and contexts
- 1. Punk cinema 21
- 2 Italian Neo-realist influences 39
- 3 The french nee wave: new again 56
- 4 Sincerity and irony 72
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Part II Screening new punk cinema
- 5 DVD and the new cinema complexity 89
- 6 Digital technologies and the poetics of performance 102
- 7 Navigating chaos 113
- 8 Non-linear narrative 126
- 9 Making it real 139
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Part III Case studies
- 10 Dogma brothers: Lars von Trier an Thomas Vinterberg 153
- 11 Mike Figgis: time code and the screen 168
- 12 What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine 180
- 13 Repo man: reclaiming the spirit of punk with Alex Cox 193
- Bibliography 204
- Index 213
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Notes on the contributors vii
- Acknowledgements xi
- Introduction 1
-
Part I Backgrounds and contexts
- 1. Punk cinema 21
- 2 Italian Neo-realist influences 39
- 3 The french nee wave: new again 56
- 4 Sincerity and irony 72
-
Part II Screening new punk cinema
- 5 DVD and the new cinema complexity 89
- 6 Digital technologies and the poetics of performance 102
- 7 Navigating chaos 113
- 8 Non-linear narrative 126
- 9 Making it real 139
-
Part III Case studies
- 10 Dogma brothers: Lars von Trier an Thomas Vinterberg 153
- 11 Mike Figgis: time code and the screen 168
- 12 What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine 180
- 13 Repo man: reclaiming the spirit of punk with Alex Cox 193
- Bibliography 204
- Index 213