Notes on the contributors

Chapters in this book

1. Frontmatter i
2. Contents v
3. Notes on the contributors vii
4. Acknowledgements xi
5. Introduction 1
6. Part I Backgrounds and contexts
7. 1. Punk cinema 21
8. 2 Italian Neo-realist influences 39
9. 3 The french nee wave: new again 56
10. 4 Sincerity and irony 72
11. Part II Screening new punk cinema
12. 5 DVD and the new cinema complexity 89
13. 6 Digital technologies and the poetics of performance 102
14. 7 Navigating chaos 113
15. 8 Non-linear narrative 126
16. 9 Making it real 139
17. Part III Case studies
18. 10 Dogma brothers: Lars von Trier an Thomas Vinterberg 153
19. 11 Mike Figgis: time code and the screen 168
20. 12 What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine 180
21. 13 Repo man: reclaiming the spirit of punk with Alex Cox 193
22. Bibliography 204
23. Index 213