Startseite Literaturwissenschaften Part II: Interacting with Readers 6. ‘There is a War on. Does She Know?’: Transatlantic Female Stardom and Women’s Wartime Labour in British Film Fan Magazines
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Part II: Interacting with Readers 6. ‘There is a War on. Does She Know?’: Transatlantic Female Stardom and Women’s Wartime Labour in British Film Fan Magazines

  • Lisa Stead
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© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

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  1. Frontmatter i
  2. Contents v
  3. List of Illustrations viii
  4. Acknowledgements xi
  5. Introduction: Women’s Periodicals and Print Culture in Britain, 1940s–2010s 1
  6. Part I: Publishing Industries and Practices
  7. 1. Culture Versus Commerce: The Publishing of Feminist Books Since the 1940s 29
  8. 2. Spare Rib and the Print Culture of Women’s Liberation 46
  9. 3. The Impact of the Women-Only Publishing Phenomenon on Early Second-Wave Feminism, Literature and Culture 67
  10. 4. Producing a Lesbian Magazine at the Turn of the Twenty-First Century 83
  11. 5. ‘Hey, here’s the new way’: Young Women’s Magazines in Times of the Web 3.0 96
  12. Part II: Interacting with Readers
  13. Part II: Interacting with Readers 6. ‘There is a War on. Does She Know?’: Transatlantic Female Stardom and Women’s Wartime Labour in British Film Fan Magazines 117
  14. 7. ‘The Most Helpful Friends in the World’: Letters Pages, Expertise and Emotion in British Women’s Magazines, c. 1960–80 133
  15. 8. ‘Everything a Girl Could Ask For’? Fashioning Feminism in Just Seventeen 150
  16. Part III: Tastemaking: Arts and Culture
  17. 9. ‘When is a writer not a writer? When he’s a man’: Women’s Literary Award Culture in Britain 1940–2019 167
  18. 10. Arena Three Magazine and the Construction of the Middlebrow Lesbian Reader 185
  19. 11. Always in with the In-Crowd: Vogue and the Cultural Politics of Gender, Race, Class and Taste 200
  20. 12. ‘Leaps and Bounds’: Feminist Interventions in Scottish Literary Magazine Culture 215
  21. 13. Promoting Involvement in Performance: Performing Arts Journals and Women Writers, 1945–69 229
  22. Part IV: Feminisms and Activisms
  23. 14. ‘It’s Capitalism, not me sweetheart’: Women’s Activist Magazines on the Left 245
  24. 15. Women’s Voice, the Rise and Fall of a Socialist-Feminist Newspaper in Britain 1972–82 261
  25. 16. Spare Rib, Ms. and Reproductive Rights: A Comparative Analysis of Approaches 276
  26. 17. Digital Feminist Cultures 293
  27. 18. ‘Alive, practical and different’: Harpies & Quines and Scottish Feminist Print in the 1990s 307
  28. Part V: Negotiating Femininities
  29. 19. ‘Doing Food’ in Vogue 325
  30. 20. Frank – Frocks, Politics, Lipstick, Handbags, Human Rights, Babies, Gardening, Stilettos and Fridge Magnets 338
  31. 21. Writing about Mothering and Childcare in the British Women’s Liberation Movement, 1970–85 351
  32. 22. Beyond Utility: Pushing the Frontiers in Women’s Monthlies: Modern Woman 1943–51 366
  33. Appendix 385
  34. Notes on Contributors 406
  35. Index 411
  36. Plates 429
Heruntergeladen am 24.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9781474469999-009/html
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