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26 'The Deaths of Camp'
-
Caryl Flinn
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements viii
- Posology (or, How to Read a Reader) xi
- Introduction: Queering the Camp 1
-
Section I: Tasting it
- Introduction 43
- 1 From The World in the Evening 49
- 2 'Notes on "Camp"' 53
- 3 'Campe-toi!: On the Origins and Definitions of Camp' 66
- 4 From Camp: The Lie That Tells The Truth 80
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Section II: Flaunting the Closet
- Introduction 87
- 5 'Role Models' 96
- 6 'It's Being So Camp as Keeps Us Going' 110
- 7 'The Cinema of Camp (aka Camp and the Gay Sensibility)' 117
- 8 'For Interpretation: Notes against Camp' 136
- 9 'Sex and Address in Dynasty' 143
- 10 'Homosexual Signs (In Memory of Roland Barthes)' 160
- 11 'Forgery' 179
- 12 'Toward a Butch-Femme Aesthetic' 185
-
Section III: Gender, and Other Spectacles
- Introduction 201
- 13 From 'Wilde, Nietzsche, and the Sentimental Relations of the Male Body' 207
- 14 'Post/modern: On the Gay Sensibility, or the Pervert's Revenge on Authenticity' 221
- 15 'Camp among the Swastikas: Isherwood, Sally Bowles, and "Good Heter Stuff"' 237
- 16 'Genderfuck: The Law of the Dildo' 254
- 17 'What Makes the Feminist Camp?' 266
- 18 "'Who's That Girl?" Annie Lennox, Woolf's Orlando, and Female Camp Androgyny' 283
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Section IV: Pop Camp, Surplus Counter-Value, or the Camp of Cultural Economy
- Introduction 301
- 19 'Uses of Camp' 308
- 20 'The Caped Crusader of Camp: Pop, Camp, and the Batman Television Series' 330
- 21 'Warhol's Camp' 344
-
Section V: The Queer Issue
- Introduction 355
- 22 'From Interiority to Gender Performatives' 361
- 23 'Boys Will Be Girls: Drag and Transvestic Fetishism' 369
- 24 'Mae West's Maids: Race, "Authenticity", and the Discourse of Camp' 393
- 25 'Camping in the Art Closet: The Politics of Camp and Nation in German Film' 409
- 26 'The Deaths of Camp' 433
- Digging the Scene: 458
- Index of names 513
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements viii
- Posology (or, How to Read a Reader) xi
- Introduction: Queering the Camp 1
-
Section I: Tasting it
- Introduction 43
- 1 From The World in the Evening 49
- 2 'Notes on "Camp"' 53
- 3 'Campe-toi!: On the Origins and Definitions of Camp' 66
- 4 From Camp: The Lie That Tells The Truth 80
-
Section II: Flaunting the Closet
- Introduction 87
- 5 'Role Models' 96
- 6 'It's Being So Camp as Keeps Us Going' 110
- 7 'The Cinema of Camp (aka Camp and the Gay Sensibility)' 117
- 8 'For Interpretation: Notes against Camp' 136
- 9 'Sex and Address in Dynasty' 143
- 10 'Homosexual Signs (In Memory of Roland Barthes)' 160
- 11 'Forgery' 179
- 12 'Toward a Butch-Femme Aesthetic' 185
-
Section III: Gender, and Other Spectacles
- Introduction 201
- 13 From 'Wilde, Nietzsche, and the Sentimental Relations of the Male Body' 207
- 14 'Post/modern: On the Gay Sensibility, or the Pervert's Revenge on Authenticity' 221
- 15 'Camp among the Swastikas: Isherwood, Sally Bowles, and "Good Heter Stuff"' 237
- 16 'Genderfuck: The Law of the Dildo' 254
- 17 'What Makes the Feminist Camp?' 266
- 18 "'Who's That Girl?" Annie Lennox, Woolf's Orlando, and Female Camp Androgyny' 283
-
Section IV: Pop Camp, Surplus Counter-Value, or the Camp of Cultural Economy
- Introduction 301
- 19 'Uses of Camp' 308
- 20 'The Caped Crusader of Camp: Pop, Camp, and the Batman Television Series' 330
- 21 'Warhol's Camp' 344
-
Section V: The Queer Issue
- Introduction 355
- 22 'From Interiority to Gender Performatives' 361
- 23 'Boys Will Be Girls: Drag and Transvestic Fetishism' 369
- 24 'Mae West's Maids: Race, "Authenticity", and the Discourse of Camp' 393
- 25 'Camping in the Art Closet: The Politics of Camp and Nation in German Film' 409
- 26 'The Deaths of Camp' 433
- Digging the Scene: 458
- Index of names 513