Chapter 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault d'Allonnes

Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction: Deleuze and Music 1
4. Chapter 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets 20
5. Chapter 2 Is Pop Music? 36
6. Chapter 3 Deleuze, Adorno and the Composition of Musical Multiplicity 54
7. Chapter 4 Affect and Individuation in Popular Electronic Music 76
8. Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black 95
9. Chapter 6 Becoming-Music: The Rhizomatic Moment of Improvisation 118
10. Chapter 7 Rhythm: Assemblage and Event 140
11. Chapter 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings 159
12. Chapter 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault d'Allonnes 176
13. Chapter 10 Cosmic Strategies: The Electric Experiments of Miles Davis 196
14. Notes on Contributors 217
15. Index 221