Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Figures and Tables vii
4. Acknowledgments ix
5. Notes on Contributors x
6. Film and Television Work by John Hughes xiv
7. 1 Introduction: Refocus on John Hughes 1
8. PART I Hughes in the Industry
9. Introduction 19
10. 2 John Hughes as Auteur: History, Hagiography, Historiography 24
11. 3 “Becoming John Hughes”: Regional Production, Hyphenate Filmmaking, and Independence within Hollywood 44
12. 4 Ferris Bueller vs. Parker Lewis: “Adapting” Ferris Bueller’s Day Off for Television 64
13. PART II Reconsidering Youth
14. Introduction 79
15. 5 “Life moves pretty fast”: Mobility, Power, and Aesthetics in John Hughes’s Teen Films 84
16. 6 “When Cameron was in Egypt’s land”: The Queer Child of Neglect in John Hughes’s Films 102
17. 7 We Need to Talk About Kevin McCallister: John Hughes’s Careless Parents and Abandoned Children 118
18. PART III Family and Fatherhood
19. Introduction 137
20. 8 Brand Name Vision: Props in the Films of John Hughes 142
21. 9 Domesticating the Comedian: Comic Performance, Narrative, and the Family in John Hughes’s 1980s Comedian Films 161
22. 10 Fatherhood and the Failures of Paternal Authority in the Films of John Hughes 179
23. PART IV Contested Identities
24. Introduction 197
25. 11 Bizarre Love Triangle: Frankensteinian Masculinities in Weird Science 202
26. 12 “You look good wearing my future:” Social Class and Individualism in the 1980s Teen Films of John Hughes 221
27. 13 The Unbearable Whiteness of Being in a John Hughes Movie 236
28. Other Films and Television Shows Cited in this Collection 250
29. Bibliography 255
30. Index 267