ACKNOWLEDGMENTS

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES ix
4. ACKNOWLEDGMENTS xi
5. INTRODUCTION 1
6. PART ONE. ROLES ON THE RANGE
7. 1. SILENT BUT ROWDY: STUNTWOMEN OF THE EARLY FRONTIER 11
8. 2. SUFFERING HEROINES ON THE FRONTIER—MELODRAMA AND PATHOS, 1914–39 27
9. 3. WHEN EAST GOES WEST: THE LOSS OF DRAMATIC AGENCY IN DEMILLE’S WESTERN WOMEN FROM THE 1910s TO THE 1930s 45
10. 4. THE VIRGINIAN AND THE ROSE: TWO KEY FEMALE ROLES IN WESTERN FILMS AND COMICS 61
11. 5. FREUD, “THE FAMILY ON THE LAND,” AND THE FEMININE TURN IN POST-WAR WESTERNS 75
12. 6. CLYTEMNESTRA AND ELECTRA UNDER WESTERN SKIES 91
13. 7. “NEVER SEEN A WOMAN WHO WAS MORE OF A MAN”: SALOON GIRLS, WOMEN HEROES, AND FEMALE MASCULINITY IN THE WESTERN 107
14. 8. GENDER POLITICS IN THE REVISIONIST WESTERN: INTERROGATING THE PERPETRATOR–VICTIM BINARY IN THE MISSING (HOWARD 2003) 121
15. PART TWO. WOMEN’S ISSUES IN POST-WAR, REVISIONIST, AND FEMINIST WESTERNS
16. 9. TRADING PLACES—TRADING RACES: THE CROSS-CULTURAL ASSIMILATION OF WOMEN IN THE SEARCHERS (1956) AND THE UNFORGIVEN (1960) 141
17. 10. WESTERN NOSTALGIA, REVISIONISM, AND NATIVE AMERICAN WOMEN IN WIND RIVER (2017) 159
18. 11. MOSTLY WHORES WITH A (VERY) FEW ANGELS: ASIAN WOMEN IN THE WESTERN 173
19. 12. “WE BEEN HAUNTED A LONG TIME”—RAPED WOMEN IN WESTERNS 187
20. 13. “MY BODY FOR A HAND OF POKER”: THE BELLE STARR STORY IN ITS CONTEXTS 201
21. 14. THE FEMALE AVENGER IN POST-9/11 WESTERNS 223
22. 15. YOU’VE GOT SOMETHING: FEMALE AGENCY IN JUSTIFIED 243
23. 16. EASTWARD THE WOMEN: REMAPPING WOMEN’S JOURNEYS IN TOMMY LEE JONES’S THE HOMESMAN (2014) 257
24. 17. WOMEN GOTTA GUN? ICONOGRAPHY AND FEMALE REPRESENTATION IN GODLESS 271
25. 18. WAGON MISTRESS 287
26. PART THREE. FILMOGRAPHY AND BIBLIOGRAPHIES
27. 19. WOMEN IN THE WESTERN FILMOGRAPHY AND BIBLIOGRAPHY 303
28. CONTRIBUTORS 335
29. INDEX 341