Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Series Preface ix
5. 1 Distributed Cognition and the Humanities 1
6. 2 Introduction 18
7. 3 The Victorian Extended Mind: George Eliot, Psychology and the Bounds of Cognition 43
8. 4 Instrumental Eyes: Enacted and Interactive Perception in Victorian Optical Technologies and Victorian Fiction 61
9. 5 Aesthetic Perception and Embodied Cognition: Art and Literature at the Fin de Siècle 79
10. 6 The Heterocosmic Self: Analogy, Temporality and Structural Couplings in Proust’s Swann’s Way 95
11. 7 Distributed Cognition and the Phenomenology of Modernist Painting and Poetry (Rilke and Cézanne) 113
12. 8 Directionality and Duration in Distributed Consciousness: Modernist Perspectives on Photographic Objectivity 134
13. 9 Walking, Identity and Visual Perception in Romantic and Modernist Literature 152
14. 10 Surrealism, Chance and the Extended Mind 171
15. 11 Distributed Cognition, Porous Qualia and Modernist Narrative 189
16. 12 Nietzsche’s Genealogie der Moral Pro and Contra Distributed Cognition 209
17. 13 A 5th E: Distributed Cognition and the Question of Ethics in Benjamin and Vygotsky, and Horkheimer and Dewey 232
18. Notes on Contributors 251
19. Bibliography 254
20. Index 282