Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. Acknowledgements viii
5. Introduction 1
6. 1 The World Is Her Oyster: Negotiating Contemporary White Womanhood in Hollywood’s Tourist Spaces 31
7. 2 ‘Hoist the Colours!’ Framing Feminism through Charismatic White Leadership in the Fantasy Blockbuster 58
8. 3 Neoliberalism, Female Agency and Conspicuous Consumption as Tragic Flaw in Woody Allen’s Blue Jasmine 86
9. 4 Paranoid Attachments to Suburban Dreams: Pathological Femininity in Gone Girl and The Girl on the Train 111
10. 5 Aristocratic Whiteness, Body Trauma and the Market Logic of Melancholia in Black Swan 133
11. 6 Sofia Coppola’s Melancholic Aesthetic: Vanishing Femininity in an Object-oriented World 162
12. Conclusion: Melancholic White Femininity, Cultural Resonance and the Shifting Politics of Representation 191
13. Bibliography 198
14. Filmography 210
15. Index 215