Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. Acknowledgements vii
4. Series Editor’s Preface x
5. Introduction 1
6. PART I: MOTION
7. Introduction: The Physics and Metaphysics of Metaphor 29
8. 1. The Erotic Potential of Idleness in Lyly’s Drama 42
9. 2. The ‘Raging Motions’ of Eros on Shakespeare’s Stage 67
10. PART II: SPACE
11. Introduction: In Love 99
12. 3. ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion 112
13. 4. Binding the Void: The Erotics of Place in Antony and Cleopatra 136
14. PART III: CREATIVITY
15. Introduction: Erotic Subject, Object, Instrument 171
16. 5. ‘Love’s Use’ in Campaspe 183
17. 6. ‘You lie, in faith’: Making Marriage in The Taming of the Shrew 219
18. Conclusion: Metaphorical Constraints: Making ‘frenzy . . . fine’ 241
19. Bibliography 248
20. Index 262