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1. The Erotic Potential of Idleness in Lyly’s Drama
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Series Editor’s Preface x
- Introduction 1
-
PART I: MOTION
- Introduction: The Physics and Metaphysics of Metaphor 29
- 1. The Erotic Potential of Idleness in Lyly’s Drama 42
- 2. The ‘Raging Motions’ of Eros on Shakespeare’s Stage 67
-
PART II: SPACE
- Introduction: In Love 99
- 3. ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion 112
- 4. Binding the Void: The Erotics of Place in Antony and Cleopatra 136
-
PART III: CREATIVITY
- Introduction: Erotic Subject, Object, Instrument 171
- 5. ‘Love’s Use’ in Campaspe 183
- 6. ‘You lie, in faith’: Making Marriage in The Taming of the Shrew 219
- Conclusion: Metaphorical Constraints: Making ‘frenzy . . . fine’ 241
- Bibliography 248
- Index 262
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Series Editor’s Preface x
- Introduction 1
-
PART I: MOTION
- Introduction: The Physics and Metaphysics of Metaphor 29
- 1. The Erotic Potential of Idleness in Lyly’s Drama 42
- 2. The ‘Raging Motions’ of Eros on Shakespeare’s Stage 67
-
PART II: SPACE
- Introduction: In Love 99
- 3. ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion 112
- 4. Binding the Void: The Erotics of Place in Antony and Cleopatra 136
-
PART III: CREATIVITY
- Introduction: Erotic Subject, Object, Instrument 171
- 5. ‘Love’s Use’ in Campaspe 183
- 6. ‘You lie, in faith’: Making Marriage in The Taming of the Shrew 219
- Conclusion: Metaphorical Constraints: Making ‘frenzy . . . fine’ 241
- Bibliography 248
- Index 262