Edinburgh University Press
Genre, Authorship and Contemporary Women Filmmakers
Über dieses Buch
Examining the significance of women’s work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women’s contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, the book interrogates questions of authorial subversion, gendered concepts of film authorship and male/female genre divisions, as well as re-evaluating certain genres as a space worthy of feminist criticism. By offering an analysis of the films themselves and the circumstances of production and reception, this book redefines political, theoretical and commercial conceptualisations of women’s cinema, and offers new perspectives on how women filmmakers explore the aesthetic and imaginative power of genre.
Fachgebiete
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Frontmatter
i -
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CONTENTS
v -
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FIGURES
vi -
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ACKNOWLEDGEMENTS
viii -
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INTRODUCTION: IMPOSSIBLE LIAISONS? GENRE AND FEMINIST FILM CRITICISM
1 -
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1. SUBVERSIVE AUTEUR, SUBVERSIVE GENRE
34 -
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2. REPEAT TO REMAKE: DIABLO CODY AND KARYN KUSAMA’S JENNIFER’S BODY
60 -
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3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW’S THE HURT LOCKER
100 -
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4. GENRE IN THE MARGINS: KELLY REICHARDT’S MEEK’S CUTOFF
134 -
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5. GENRE ON THE SURFACE: SOFIA COPPOLA’S MARIE ANTOINETTE
173 -
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6. WHAT A WOMAN WANTS? NANCY MEYERS’S THE INTERN
209 -
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AFTERWORD: DESPERATELY SEEKING WONDER WOMEN
254 -
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BIBLIOGRAPHY
264 -
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INDEX
286