Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES vi
4. ACKNOWLEDGEMENTS viii
5. INTRODUCTION: IMPOSSIBLE LIAISONS? GENRE AND FEMINIST FILM CRITICISM 1
6. 1. SUBVERSIVE AUTEUR, SUBVERSIVE GENRE 34
7. 2. REPEAT TO REMAKE: DIABLO CODY AND KARYN KUSAMA’S JENNIFER’S BODY 60
8. 3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW’S THE HURT LOCKER 100
9. 4. GENRE IN THE MARGINS: KELLY REICHARDT’S MEEK’S CUTOFF 134
10. 5. GENRE ON THE SURFACE: SOFIA COPPOLA’S MARIE ANTOINETTE 173
11. 6. WHAT A WOMAN WANTS? NANCY MEYERS’S THE INTERN 209
12. AFTERWORD: DESPERATELY SEEKING WONDER WOMEN 254
13. BIBLIOGRAPHY 264
14. INDEX 286