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APPENDICES
-
MelanieVE Williams
, Laura Mayne and Duncan Petrie
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Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES vii
- ACKNOWLEDGEMENTS viii
- INTRODUCTION 1
-
PART ONE. STRUCTURES AND COMPANIES
- 1. DISTRIBUTION AND PRODUCTION: THE BRITISH MAJORS 31
- 2. AMERICAN INVOLVEMENT IN UK FILM PRODUCTION 63
- 3. PUBLIC SUPPORT IN A CHANGING CLIMATE 95
- 4. THE VERTICALLY INTEGRATED INDEPENDENT 119
- 5. LOW-BUDGET INDEPENDENT PRODUCTION 138
-
PART TWO. CREATIVE AGENCY
- 6. SCREENWRITING 159
- 7. DIRECTING 180
- 8. PRODUCTION DESIGN 203
- 9. COSTUME DESIGN 222
- 10. CINEMATOGRAPHY 241
- 11. EDITING 259
-
PART THREE. MEDIA CONVERGENCE
- 12. FILM AND TELEVISION 279
- 13. FILM AND TV ADVERTISING 303
- 14. FILM AND POP MUSIC 327
- CONCLUSION 349
- APPENDICES 354
- BIBLIOGRAPHY 365
- INDEX 380
Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES vii
- ACKNOWLEDGEMENTS viii
- INTRODUCTION 1
-
PART ONE. STRUCTURES AND COMPANIES
- 1. DISTRIBUTION AND PRODUCTION: THE BRITISH MAJORS 31
- 2. AMERICAN INVOLVEMENT IN UK FILM PRODUCTION 63
- 3. PUBLIC SUPPORT IN A CHANGING CLIMATE 95
- 4. THE VERTICALLY INTEGRATED INDEPENDENT 119
- 5. LOW-BUDGET INDEPENDENT PRODUCTION 138
-
PART TWO. CREATIVE AGENCY
- 6. SCREENWRITING 159
- 7. DIRECTING 180
- 8. PRODUCTION DESIGN 203
- 9. COSTUME DESIGN 222
- 10. CINEMATOGRAPHY 241
- 11. EDITING 259
-
PART THREE. MEDIA CONVERGENCE
- 12. FILM AND TELEVISION 279
- 13. FILM AND TV ADVERTISING 303
- 14. FILM AND POP MUSIC 327
- CONCLUSION 349
- APPENDICES 354
- BIBLIOGRAPHY 365
- INDEX 380