Edinburgh University Press
Transformation and Tradition in 1960s British Cinema
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About this book
Over half a century on, the 1960s continue to generate strong intellectual and emotional responses – both positive and negative – and this is no less true in the arena of film. Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in that dramatic decade.
Transformation and Tradition in 1960s British Cinema is the first scholarly volume on this period of British cinema for more than twenty-five years. It provides a major reconsideration of the period by focusing on the central tensions and contradiction between novelty/revolution and continuity/tradition during what remains a highly contentious period of cultural production and consumption.
Topics
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Frontmatter
i -
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CONTENTS
v -
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FIGURES
vii -
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ACKNOWLEDGEMENTS
viii -
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INTRODUCTION
1 - PART ONE. STRUCTURES AND COMPANIES
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1. DISTRIBUTION AND PRODUCTION: THE BRITISH MAJORS
31 -
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2. AMERICAN INVOLVEMENT IN UK FILM PRODUCTION
63 -
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3. PUBLIC SUPPORT IN A CHANGING CLIMATE
95 -
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4. THE VERTICALLY INTEGRATED INDEPENDENT
119 -
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5. LOW-BUDGET INDEPENDENT PRODUCTION
138 - PART TWO. CREATIVE AGENCY
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6. SCREENWRITING
159 -
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7. DIRECTING
180 -
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8. PRODUCTION DESIGN
203 -
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9. COSTUME DESIGN
222 -
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10. CINEMATOGRAPHY
241 -
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11. EDITING
259 - PART THREE. MEDIA CONVERGENCE
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12. FILM AND TELEVISION
279 -
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13. FILM AND TV ADVERTISING
303 -
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14. FILM AND POP MUSIC
327 -
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CONCLUSION
349 -
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APPENDICES
354 -
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BIBLIOGRAPHY
365 -
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INDEX
380
