Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
1 The Pre-Bard Stage Career of John Barrymore
-
Philip Carli
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents iii
- Figures v
- The Contributors vii
- Acknowledgments xi
- Introduction 1
- 1 The Pre-Bard Stage Career of John Barrymore 10
- 2 Dangerously Modern: Shakespeare, Voice, and the “New Psychology” in John Barrymore’s “Unstable” Characters 22
- 3 The Curious Case of Sherlock Holmes 35
- 4 John Barrymore’s Introspective Performance in Beau Brummel 47
- 5 “Keep Back your Pity”: The Wounded Barrymore of The Sea Beast (1926) and Moby Dick (1930) 59
- 6 From Rome to Berlin: Barrymore as Romantic Lover 71
- 7 The Power of Stillness: John Barrymore’s Performance in Svengali 85
- 8 Prospero Unbound: John Barrymore’s Theatrical Transformations of Cinema Reality 98
- 9 A Star is Dead: Barrymore’s Anti-Christian Metaperformance 109
- 10 Handling Time: The Passing of Tradition in A Bill of Divorcement 123
- 11 John Barrymore’s Sparkling Topaze 135
- 12 “Planes, Motors, Schedules”: Night Flight and the Modernity of John Barrymore 145
- 13 Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance 157
- 14 “I Never Thought I Should Sink So Low as to Become an Actor”: John Barrymore in Twentieth Century 169
- 15 Barrymore Does Barrymore: The Performing Self Triumphant in The Great Profile 183
- Works Cited 195
- Index 200
Kapitel in diesem Buch
- Frontmatter i
- Contents iii
- Figures v
- The Contributors vii
- Acknowledgments xi
- Introduction 1
- 1 The Pre-Bard Stage Career of John Barrymore 10
- 2 Dangerously Modern: Shakespeare, Voice, and the “New Psychology” in John Barrymore’s “Unstable” Characters 22
- 3 The Curious Case of Sherlock Holmes 35
- 4 John Barrymore’s Introspective Performance in Beau Brummel 47
- 5 “Keep Back your Pity”: The Wounded Barrymore of The Sea Beast (1926) and Moby Dick (1930) 59
- 6 From Rome to Berlin: Barrymore as Romantic Lover 71
- 7 The Power of Stillness: John Barrymore’s Performance in Svengali 85
- 8 Prospero Unbound: John Barrymore’s Theatrical Transformations of Cinema Reality 98
- 9 A Star is Dead: Barrymore’s Anti-Christian Metaperformance 109
- 10 Handling Time: The Passing of Tradition in A Bill of Divorcement 123
- 11 John Barrymore’s Sparkling Topaze 135
- 12 “Planes, Motors, Schedules”: Night Flight and the Modernity of John Barrymore 145
- 13 Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance 157
- 14 “I Never Thought I Should Sink So Low as to Become an Actor”: John Barrymore in Twentieth Century 169
- 15 Barrymore Does Barrymore: The Performing Self Triumphant in The Great Profile 183
- Works Cited 195
- Index 200