Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgements vi
4. Series Editor’s Preface viii
5. 1. Introduction: ‘Audiences to this Act’ 1
6. 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy 22
7. 3. ‘Sprinkled Among your Ears’: Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu 63
8. 4. ‘Caviare to the General’?: Taste, Hearing and Genre in Hamlet 104
9. 5. Listening for Form at the Cockpit Theatre 140
10. 6. Epilogue 173
11. Bibliography 178
12. Index 192