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5. Listening for Form at the Cockpit Theatre

© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vi
  4. Series Editor’s Preface viii
  5. 1. Introduction: ‘Audiences to this Act’ 1
  6. 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy 22
  7. 3. ‘Sprinkled Among your Ears’: Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu 63
  8. 4. ‘Caviare to the General’?: Taste, Hearing and Genre in Hamlet 104
  9. 5. Listening for Form at the Cockpit Theatre 140
  10. 6. Epilogue 173
  11. Bibliography 178
  12. Index 192
Listening for Theatrical Form in Early Modern England
Ein Kapitel aus dem Buch Listening for Theatrical Form in Early Modern England
https://doi.org/10.1515/9781474411271-007

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vi
  4. Series Editor’s Preface viii
  5. 1. Introduction: ‘Audiences to this Act’ 1
  6. 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy 22
  7. 3. ‘Sprinkled Among your Ears’: Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu 63
  8. 4. ‘Caviare to the General’?: Taste, Hearing and Genre in Hamlet 104
  9. 5. Listening for Form at the Cockpit Theatre 140
  10. 6. Epilogue 173
  11. Bibliography 178
  12. Index 192
Heruntergeladen am 24.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9781474411271-007/html?lang=de
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