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Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception
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Chapters in this book
- Frontmatter i
- Contents v
- Figures and frames viii
- Acknowledgements xiii
- Abbreviations xv
- Preface: a Deleuzian cineosis xvii
- Part One Unfolding the Cineosis 1
- Section I First Introduction Two Regimes of Images 3
- Movement-images and time-images: Bergson, image and duration 5
- Movement-images: Peirce, semiosis 16
- Time-images: Deleuze, syntheses 41
- Time-images and movement-images: Bergson, duration and image 70
- Section II Second Introduction A Series of Images and Signs 75
- Perception-images 77
- Affection-images 82
- Impulse-images (the nascent action-image) 87
- Action-images (small form, action → situation) 92
- Action-images (large form, situation → action) 97
- Attraction-images (first reflection-image; sixth mental-image) 105
- Inversion-images (second reflection-image; fifth mental-image) 110
- Discourse-images (third reflection-image; fourth mental-image) 115
- Dream-images (third mental-image) 122
- Recollection-images (second mental-image) 127
- Relation-images (first mental-image) 132
- Opsigns and sonsigns 138
- Hyalosigns 145
- Chronosigns 151
- Noosigns 157
- Lectosigns 162
- Afterword to Part One: the unfolded cineosis 172
- Section III Third Introduction Cinematographics (1995–2015) 177
- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception 179
- Timecode Liquid perception 182
- Naqoyqatsi Gaseous perception 186
- Theeviravaathi/The Terrorist Icon 189
- Despicable Me, Despicable Me 2 and Minions 193
- Le quattro volte/Four Times Any-space-whatever 196
- The Human Centipede (First Sequence).Symptom 201
- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 205
- Innocence Originary World 209
- Madeo/Mother Index of lack 213
- The Killer Inside Me Index of equivocity 217
- Ajami Vector 221
- marxism today (prologue) and untitled Milieu 224
- Made in Dagenham Binomial 228
- Slackistan Figure of enfeeblement 251
- Un homme qui crie/A Screaming Man Quotidian 255
- Monsters Limit of the large form action-image 258
- Brooklyn’s Finest Limit of the small form action-image 261
- Metro Manila Limit of the action-image 264
- Star Trek – First Contact Rich dreams 268
- The Machinist Restrained dreams 270
- Inception Movement of world 272
- El secreto de sus ojos/The Secret in Their Eyes Strong destiny 275
- White Material Weak destiny 279
- Triangle Forking paths 282
- Se7en Mark 286
- Doctor Who – The Day of the Doctor Demark 289
- Buried Symbol 294
- Five Opsigns and sonsigns 299
- Black Swan Mirrors face to face 305
- Self Made Limpid and opaque 309
- Synecdoche, New York Seed and environment 314
- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present 317
- Russkiy kovcheg/Russian Ark Sheets of the past 320
- Er shi si cheng ji/24 City Powers of the false 325
- I’m Not There Bodies of attitude 328
- Politist, adjectiv/Police, AdjectiveBodies of gest 330
- Dogville Cinema of the brain 335
- Enter the Void Lectosigns 337
- Select bibliography 345
- Filmography 350
- Index 353
Chapters in this book
- Frontmatter i
- Contents v
- Figures and frames viii
- Acknowledgements xiii
- Abbreviations xv
- Preface: a Deleuzian cineosis xvii
- Part One Unfolding the Cineosis 1
- Section I First Introduction Two Regimes of Images 3
- Movement-images and time-images: Bergson, image and duration 5
- Movement-images: Peirce, semiosis 16
- Time-images: Deleuze, syntheses 41
- Time-images and movement-images: Bergson, duration and image 70
- Section II Second Introduction A Series of Images and Signs 75
- Perception-images 77
- Affection-images 82
- Impulse-images (the nascent action-image) 87
- Action-images (small form, action → situation) 92
- Action-images (large form, situation → action) 97
- Attraction-images (first reflection-image; sixth mental-image) 105
- Inversion-images (second reflection-image; fifth mental-image) 110
- Discourse-images (third reflection-image; fourth mental-image) 115
- Dream-images (third mental-image) 122
- Recollection-images (second mental-image) 127
- Relation-images (first mental-image) 132
- Opsigns and sonsigns 138
- Hyalosigns 145
- Chronosigns 151
- Noosigns 157
- Lectosigns 162
- Afterword to Part One: the unfolded cineosis 172
- Section III Third Introduction Cinematographics (1995–2015) 177
- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception 179
- Timecode Liquid perception 182
- Naqoyqatsi Gaseous perception 186
- Theeviravaathi/The Terrorist Icon 189
- Despicable Me, Despicable Me 2 and Minions 193
- Le quattro volte/Four Times Any-space-whatever 196
- The Human Centipede (First Sequence).Symptom 201
- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 205
- Innocence Originary World 209
- Madeo/Mother Index of lack 213
- The Killer Inside Me Index of equivocity 217
- Ajami Vector 221
- marxism today (prologue) and untitled Milieu 224
- Made in Dagenham Binomial 228
- Slackistan Figure of enfeeblement 251
- Un homme qui crie/A Screaming Man Quotidian 255
- Monsters Limit of the large form action-image 258
- Brooklyn’s Finest Limit of the small form action-image 261
- Metro Manila Limit of the action-image 264
- Star Trek – First Contact Rich dreams 268
- The Machinist Restrained dreams 270
- Inception Movement of world 272
- El secreto de sus ojos/The Secret in Their Eyes Strong destiny 275
- White Material Weak destiny 279
- Triangle Forking paths 282
- Se7en Mark 286
- Doctor Who – The Day of the Doctor Demark 289
- Buried Symbol 294
- Five Opsigns and sonsigns 299
- Black Swan Mirrors face to face 305
- Self Made Limpid and opaque 309
- Synecdoche, New York Seed and environment 314
- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present 317
- Russkiy kovcheg/Russian Ark Sheets of the past 320
- Er shi si cheng ji/24 City Powers of the false 325
- I’m Not There Bodies of attitude 328
- Politist, adjectiv/Police, AdjectiveBodies of gest 330
- Dogville Cinema of the brain 335
- Enter the Void Lectosigns 337
- Select bibliography 345
- Filmography 350
- Index 353