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Hyalosigns

© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Figures and frames viii
  4. Acknowledgements xiii
  5. Abbreviations xv
  6. Preface: a Deleuzian cineosis xvii
  7. Part One Unfolding the Cineosis 1
  8. Section I First Introduction Two Regimes of Images 3
  9. Movement-images and time-images: Bergson, image and duration 5
  10. Movement-images: Peirce, semiosis 16
  11. Time-images: Deleuze, syntheses 41
  12. Time-images and movement-images: Bergson, duration and image 70
  13. Section II Second Introduction A Series of Images and Signs 75
  14. Perception-images 77
  15. Affection-images 82
  16. Impulse-images (the nascent action-image) 87
  17. Action-images (small form, action → situation) 92
  18. Action-images (large form, situation → action) 97
  19. Attraction-images (first reflection-image; sixth mental-image) 105
  20. Inversion-images (second reflection-image; fifth mental-image) 110
  21. Discourse-images (third reflection-image; fourth mental-image) 115
  22. Dream-images (third mental-image) 122
  23. Recollection-images (second mental-image) 127
  24. Relation-images (first mental-image) 132
  25. Opsigns and sonsigns 138
  26. Hyalosigns 145
  27. Chronosigns 151
  28. Noosigns 157
  29. Lectosigns 162
  30. Afterword to Part One: the unfolded cineosis 172
  31. Section III Third Introduction Cinematographics (1995–2015) 177
  32. Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception 179
  33. Timecode Liquid perception 182
  34. Naqoyqatsi Gaseous perception 186
  35. Theeviravaathi/The Terrorist Icon 189
  36. Despicable Me, Despicable Me 2 and Minions 193
  37. Le quattro volte/Four Times Any-space-whatever 196
  38. The Human Centipede (First Sequence).Symptom 201
  39. Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 205
  40. Innocence Originary World 209
  41. Madeo/Mother Index of lack 213
  42. The Killer Inside Me Index of equivocity 217
  43. Ajami Vector 221
  44. marxism today (prologue) and untitled Milieu 224
  45. Made in Dagenham Binomial 228
  46. Slackistan Figure of enfeeblement 251
  47. Un homme qui crie/A Screaming Man Quotidian 255
  48. Monsters Limit of the large form action-image 258
  49. Brooklyn’s Finest Limit of the small form action-image 261
  50. Metro Manila Limit of the action-image 264
  51. Star Trek – First Contact Rich dreams 268
  52. The Machinist Restrained dreams 270
  53. Inception Movement of world 272
  54. El secreto de sus ojos/The Secret in Their Eyes Strong destiny 275
  55. White Material Weak destiny 279
  56. Triangle Forking paths 282
  57. Se7en Mark 286
  58. Doctor Who – The Day of the Doctor Demark 289
  59. Buried Symbol 294
  60. Five Opsigns and sonsigns 299
  61. Black Swan Mirrors face to face 305
  62. Self Made Limpid and opaque 309
  63. Synecdoche, New York Seed and environment 314
  64. Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present 317
  65. Russkiy kovcheg/Russian Ark Sheets of the past 320
  66. Er shi si cheng ji/24 City Powers of the false 325
  67. I’m Not There Bodies of attitude 328
  68. Politist, adjectiv/Police, AdjectiveBodies of gest 330
  69. Dogville Cinema of the brain 335
  70. Enter the Void Lectosigns 337
  71. Select bibliography 345
  72. Filmography 350
  73. Index 353
Deleuze's Cinema Books
This chapter is in the book Deleuze's Cinema Books
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