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Chapter 11 Clueless Times at the Ferris Bueller Club: A Critical Analysis of the Directorial Works of Amy Heckerling and John Hughes
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Kimberly M. Miller
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Figures vii
- Acknowledgments ix
- Notes on Contributors x
- Film and Television Work by Amy Heckerling xiii
- Chapter 1 Introduction 1
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Part I Heckerling in Teen Film and Television
- Introduction to Part I 15
- Chapter 2 Cher and Dionne BFFs: Female Friendship, Genre, and Medium Specificity in the Film and Television Versions of Amy Heckerling’s Clueless 17
- Chapter 3 Fast Times with Clueless Losers: Lessons on Sex and Gender in Amy Heckerling’s Teen Films 36
- Chapter 4 “As If a Girl’s Reach Should Exceed Her Grasp”: Gendering Genericity and Spectatorial Address in the Work of Amy Heckerling 53
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Part II Ingenuity and Irony in the Heckerling Lexicon
- Introduction to Part II 75
- Chapter 5 Consumerism and the Languages of Class: American Teenagers View Amy Heckerling’s Clueless 77
- Chapter 6 “An Increasingly Valid Form of Expression”: Teenspeak and Community Identity in the Work of Amy Heckerling 97
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Part III Femininity, Aging, and Postfeminism
- Introduction to Part III 117
- Chapter 7 Look Who’s Doing the Caring: Shared Parenting, Subjectivity, and Gender Roles in Heckerling’s Look Who’s Talking Films 119
- Chapter 8 Amy Heckerling’s Place in Hollywood: Issues of Aging and Sisterhood in I Could Never Be Your Woman and Vamps 135
- Chapter 9 ‘Staying Young is Getting Old’: Youth and Immortality in Vamps 154
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Part IV Reflections on the Heckerling Oeuvre
- Introduction to Part IV 173
- Chapter 10 “But seriously, I actually have a way normal life for a teenage girl”: The Teenage Female Empowerment Payoff in Amy Heckerling’s Clueless 175
- Chapter 11 Clueless Times at the Ferris Bueller Club: A Critical Analysis of the Directorial Works of Amy Heckerling and John Hughes 198
- Chapter 12 Way Hilarious: Amy Heckerling as a Female Comedy Director, Writer, and Producer 218
- Appendix: Other Films and Television Shows Cited in this Collection 240
- Bibliography 247
- Index 259
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Figures vii
- Acknowledgments ix
- Notes on Contributors x
- Film and Television Work by Amy Heckerling xiii
- Chapter 1 Introduction 1
-
Part I Heckerling in Teen Film and Television
- Introduction to Part I 15
- Chapter 2 Cher and Dionne BFFs: Female Friendship, Genre, and Medium Specificity in the Film and Television Versions of Amy Heckerling’s Clueless 17
- Chapter 3 Fast Times with Clueless Losers: Lessons on Sex and Gender in Amy Heckerling’s Teen Films 36
- Chapter 4 “As If a Girl’s Reach Should Exceed Her Grasp”: Gendering Genericity and Spectatorial Address in the Work of Amy Heckerling 53
-
Part II Ingenuity and Irony in the Heckerling Lexicon
- Introduction to Part II 75
- Chapter 5 Consumerism and the Languages of Class: American Teenagers View Amy Heckerling’s Clueless 77
- Chapter 6 “An Increasingly Valid Form of Expression”: Teenspeak and Community Identity in the Work of Amy Heckerling 97
-
Part III Femininity, Aging, and Postfeminism
- Introduction to Part III 117
- Chapter 7 Look Who’s Doing the Caring: Shared Parenting, Subjectivity, and Gender Roles in Heckerling’s Look Who’s Talking Films 119
- Chapter 8 Amy Heckerling’s Place in Hollywood: Issues of Aging and Sisterhood in I Could Never Be Your Woman and Vamps 135
- Chapter 9 ‘Staying Young is Getting Old’: Youth and Immortality in Vamps 154
-
Part IV Reflections on the Heckerling Oeuvre
- Introduction to Part IV 173
- Chapter 10 “But seriously, I actually have a way normal life for a teenage girl”: The Teenage Female Empowerment Payoff in Amy Heckerling’s Clueless 175
- Chapter 11 Clueless Times at the Ferris Bueller Club: A Critical Analysis of the Directorial Works of Amy Heckerling and John Hughes 198
- Chapter 12 Way Hilarious: Amy Heckerling as a Female Comedy Director, Writer, and Producer 218
- Appendix: Other Films and Television Shows Cited in this Collection 240
- Bibliography 247
- Index 259