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Edward L. Shaughnessy
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Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction 1
-
Inscriptions
- History and Inscriptions 13
- The Bin Gong Xu Inscription and the Origins of the Chinese Literary Tradition 47
- The Writing of a Late Western Zhou Bronze Inscription 57
- On the Casting of the Art Institute of Chicago’s Shi Wang Ding 89
-
The Classics
- A Possible Lost Classic 113
- Varieties of Textual Variants 141
- Unearthed Documents and the Question of the Oral versus Written Nature of the Shi Jing 169
- A First Reading of the Anhui University Bamboo-Slip Shi Jing 203
-
Manuscripts
- The Mu Tianzi Zhuan and King Mu–Period Bronzes 237
- The Tsinghua Manuscript 253
- The Eighth Century BCE Civil War in Jin as Seen in the Bamboo Annals 265
- The Qin *Bian Nian Ji and the Beginnings of Historical Writing in China 297
- Notes 319
- Bibliography 383
- Index 405
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction 1
-
Inscriptions
- History and Inscriptions 13
- The Bin Gong Xu Inscription and the Origins of the Chinese Literary Tradition 47
- The Writing of a Late Western Zhou Bronze Inscription 57
- On the Casting of the Art Institute of Chicago’s Shi Wang Ding 89
-
The Classics
- A Possible Lost Classic 113
- Varieties of Textual Variants 141
- Unearthed Documents and the Question of the Oral versus Written Nature of the Shi Jing 169
- A First Reading of the Anhui University Bamboo-Slip Shi Jing 203
-
Manuscripts
- The Mu Tianzi Zhuan and King Mu–Period Bronzes 237
- The Tsinghua Manuscript 253
- The Eighth Century BCE Civil War in Jin as Seen in the Bamboo Annals 265
- The Qin *Bian Nian Ji and the Beginnings of Historical Writing in China 297
- Notes 319
- Bibliography 383
- Index 405