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12 Refracting Lenses on the Atlantic Coast of Nicaragua
Documenting Social Ecologies and Biospheres in El ojo del tiburón and El canto de Bosawas
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Julia M. Medina
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Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations xi
- Acknowledgments xiii
- Latin American Cinema Beyond the Human 1
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Genre Beyond The Human
- Movies on the Move 25
- Visualizing the Geosphere 47
- Revisiting Nature and Documenting the Americas 69
- Slow Violence in the Slow Cinema of Lisandro Alonso 89
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Encountering Difference
- Humanimal Assemblages 111
- Reordering Material Hierarchies in Jossie Malis Álvarez’s Animated Short Film Series, Bendito Machine 139
- Mapping Queer Natures in Papu Curotto’s Esteros 161
- Counterflows 181
- Differential Viscosities 205
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Screening The Pluriverse
- Human Rights at the End of the World 231
- Sea Turtles and Seascapes 255
- Refracting Lenses on the Atlantic Coast of Nicaragua 281
- The Sacred Space of Motoapohua 305
- Undisciplined Knowledge 327
- Contributors 345
- Index 349
Kapitel in diesem Buch
- Front Matter i
- Contents vii
- Illustrations xi
- Acknowledgments xiii
- Latin American Cinema Beyond the Human 1
-
Genre Beyond The Human
- Movies on the Move 25
- Visualizing the Geosphere 47
- Revisiting Nature and Documenting the Americas 69
- Slow Violence in the Slow Cinema of Lisandro Alonso 89
-
Encountering Difference
- Humanimal Assemblages 111
- Reordering Material Hierarchies in Jossie Malis Álvarez’s Animated Short Film Series, Bendito Machine 139
- Mapping Queer Natures in Papu Curotto’s Esteros 161
- Counterflows 181
- Differential Viscosities 205
-
Screening The Pluriverse
- Human Rights at the End of the World 231
- Sea Turtles and Seascapes 255
- Refracting Lenses on the Atlantic Coast of Nicaragua 281
- The Sacred Space of Motoapohua 305
- Undisciplined Knowledge 327
- Contributors 345
- Index 349