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Smacked Upside the Head—Again
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Chapters in this book
- Front Matter i
- Contents v
- Illustrations ix
- Foreword xi
- Acknowledgments xiii
- To Lie, Steal, and Dissemble 1
- In the Crowd 11
-
The Aesthetic Challenges of Jim Crow Politics
- American Graffiti 15
- Smacked Upside the Head—Again 37
-
Imagining and Subverting Jim Crow in Charles Chesnutt’s Segregation Fiction
- Wedded to the Color Line 43
- Charles Chesnutt’s “The Dumb Witness” and the Culture of Segregation 57
- “Those that do violence must expect to suffer” 73
-
Inside Jim Crow and His Doubles
- White Islands of Safety and Engulfing Blackness 93
- “Somewhat Like War” 113
- Housing the Black Body 131
- Diseased Properties and Broken Homes in Ann Petry’s The Street1 149
-
Exporting Jim Crow
- Embodying Segregation 167
- Black Is a Region 185
- “¿Qué Dice?” 201
-
Jim Crow’s Legacy
- In Possession of Space 223
- Into a Burning House 245
- Afterword 265
- Contributors 269
- Index 273
Chapters in this book
- Front Matter i
- Contents v
- Illustrations ix
- Foreword xi
- Acknowledgments xiii
- To Lie, Steal, and Dissemble 1
- In the Crowd 11
-
The Aesthetic Challenges of Jim Crow Politics
- American Graffiti 15
- Smacked Upside the Head—Again 37
-
Imagining and Subverting Jim Crow in Charles Chesnutt’s Segregation Fiction
- Wedded to the Color Line 43
- Charles Chesnutt’s “The Dumb Witness” and the Culture of Segregation 57
- “Those that do violence must expect to suffer” 73
-
Inside Jim Crow and His Doubles
- White Islands of Safety and Engulfing Blackness 93
- “Somewhat Like War” 113
- Housing the Black Body 131
- Diseased Properties and Broken Homes in Ann Petry’s The Street1 149
-
Exporting Jim Crow
- Embodying Segregation 167
- Black Is a Region 185
- “¿Qué Dice?” 201
-
Jim Crow’s Legacy
- In Possession of Space 223
- Into a Burning House 245
- Afterword 265
- Contributors 269
- Index 273