Suny Press
Representing Segregation
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Edited by:
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Preface by:
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About this book
Examines racial segregation in literature and the cultural legacy of the Jim Crow era.
As a touchstone issue in American history, segregation has had an immeasurable impact on the lives of most ethnic groups in the United States. Primarily associated with the Jim Crow South and the court cases Plessy v. Ferguson (1896) and Brown v. Board of Education (1954), segregation comprises a diverse set of cultural practices, ethnic experiences, historical conditions, political ideologies, municipal planning schemes, and de facto social systems. Representing Segregation traces the effects of these practices on the literary imagination and proposes a distinct literary tradition of representing segregation. Contributors engage a cross section of writers, literary movements, segregation practices, and related experiences of racial division in order to demonstrate the richness and scope of responses to segregation in the late nineteenth and twentieth centuries. By taking up the cultural expression of the Jim Crow period and its legacies, this collection reorients literary analysis of an important body of African American literature in productive new directions.
Author / Editor information
Reviews
"This book deals with more than just aesthetics; it also looks at the very nature of literary and theoretical representations of segregation." — Kathaleen E. Amende, Alabama State University
Brian Norman is Assistant Professor of African American and American Literature at Loyola University Maryland. He is the author of The American Protest Essay and National Belonging: Addressing Division, also published by SUNY Press. Piper Kendrix Williams is Assistant Professor of African American Studies and English at the College of New Jersey.
"By defining key figures, practices, and comparative approaches … [Representing Segregation] clarif[ies] and validate[s] the work of scholarship on the literature of the Civil Rights Movement … the volume … is excellent." — MELUS
"Norman and Williams have assembled a collection of fine essays addressing the topic of place and space with regard to segregation … Presenting not only an eye-opening lesson in African American history but also a study in environmental justice, the contributors to this volume explain how race is embedded in the body, street, city, region, and country … This book settles any question there may have been about whether segregation or Jim Crow narrative exists … Highly recommended." — CHOICE
"This book deals with more than just aesthetics; it also looks at the very nature of literary and theoretical representations of segregation." — Kathaleen E. Amende, Alabama State University
Topics
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Front Matter
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Contents
v -
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Illustrations
ix -
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Foreword
xi -
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Acknowledgments
xiii -
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To Lie, Steal, and Dissemble
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In the Crowd
11 - The Aesthetic Challenges of Jim Crow Politics
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American Graffiti
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Smacked Upside the Head—Again
37 - Imagining and Subverting Jim Crow in Charles Chesnutt’s Segregation Fiction
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Wedded to the Color Line
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Charles Chesnutt’s “The Dumb Witness” and the Culture of Segregation
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“Those that do violence must expect to suffer”
73 - Inside Jim Crow and His Doubles
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White Islands of Safety and Engulfing Blackness
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“Somewhat Like War”
113 -
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Housing the Black Body
131 -
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Diseased Properties and Broken Homes in Ann Petry’s The Street1
149 - Exporting Jim Crow
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Embodying Segregation
167 -
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Black Is a Region
185 -
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“¿Qué Dice?”
201 - Jim Crow’s Legacy
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In Possession of Space
223 -
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Into a Burning House
245 -
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Afterword
265 -
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Contributors
269 -
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Index
273