Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. List of Tables ix
5. Acknowledgements xi
6. 1 Introduction to Cultural Appropriation in Reggae and Dancehall Performances 1
7. 2 Jamaican Creole in Jamaica 6
8. 3 The History of Language Use in Jamaican Music 14
9. 4 Cultural and Linguistic Appropriation 23
10. 5 Study I: The Use of Jamaican Creole in Global Reggae and Dancehall Performances 63
11. 6 Study II: Jamaicans’ Perceptions of and Attitudes towards Jamaican Creole in Global Reggae and Dancehall Performances 117
12. 7 Discussion 172
13. 8 Conclusion 192
14. Appendix I: Orthographic and Phonetic Transcriptions of the Stimuli 196
15. Appendix II: Survey on Artists’ Language Use 205
16. Auditory Stimuli 210
17. Bibliography 211
18. Index 236