3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Series Editor’s Preface ix
4. Acknowledgments xi
5. Introduction: Animated Encounters: Chinese Animation in Motion 1
6. 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation 28
7. 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China 68
8. 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s 114
9. 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution 152
10. Epilogue: Television and Animated Encounters in Postsocialist China 181
11. Appendix 1: Animated Films by Mochinaga Tadahito 187
12. Appendix 2: Leaders of the Shanghai Animation Film Studio 189
13. Appendix 3: Major Publications on Chinese Animation 191
14. Notes 193
15. Bibliography 223
16. Index 245
17. About the Author 259