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Appendix 2: Leaders of the Shanghai Animation Film Studio
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Daisy Yan Du
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Chapters in this book
- Frontmatter i
- Contents vii
- Series Editor’s Preface ix
- Acknowledgments xi
- Introduction: Animated Encounters: Chinese Animation in Motion 1
- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation 28
- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China 68
- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s 114
- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution 152
- Epilogue: Television and Animated Encounters in Postsocialist China 181
- Appendix 1: Animated Films by Mochinaga Tadahito 187
- Appendix 2: Leaders of the Shanghai Animation Film Studio 189
- Appendix 3: Major Publications on Chinese Animation 191
- Notes 193
- Bibliography 223
- Index 245
- About the Author 259
Chapters in this book
- Frontmatter i
- Contents vii
- Series Editor’s Preface ix
- Acknowledgments xi
- Introduction: Animated Encounters: Chinese Animation in Motion 1
- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation 28
- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China 68
- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s 114
- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution 152
- Epilogue: Television and Animated Encounters in Postsocialist China 181
- Appendix 1: Animated Films by Mochinaga Tadahito 187
- Appendix 2: Leaders of the Shanghai Animation Film Studio 189
- Appendix 3: Major Publications on Chinese Animation 191
- Notes 193
- Bibliography 223
- Index 245
- About the Author 259