Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. ACKNOWLEDGMENTS vii
4. INTRODUCTION 1
5. PART I. INFRASTRUCTURES
6. 1. Video Documentary and Rural Public Culture in Ethnic China 35
7. 2. EngageMedia: The Gado Gado Tactics of New Social Media in Indonesia 54
8. 3. Wei dianying and Xiao quexing: Technologies of “Small” and Trans-Chinese Screen Practices 72
9. 4. Converging Contents and Platforms: Niconico Video and Japan’s Media Mix Ecology 91
10. 5. In Access: Digital Video and the User 114
11. PART II. INTIMACIES
12. 6. MicroSD-ing “Mewati Videos”: Circulation and Regulation of a Subaltern-Popular Media Culture 133
13. 7. Documenting “Immigrant Brides” in Multicultural Taiwan 158
14. 8. Bollywood Banned and the Electrifying Palmasutra: Sensory Politics in Northern Nigeria 176
15. 9. The Asianization of Heimat: Ming Wong’s Asian German Video Works 198
16. PART III. SPECULATIONS
17. 10. Politics in the Age of YouTube: Degraded Images and Small-Screen Revolutions 217
18. 11. Pop Cosmopolitics and K-pop Video Culture 240
19. 12. Videation: Technological Intimacy and the Politics of Global Connection 266
20. 13. Staying Alive: Imphal’s HIV/AIDS (Digital) Video Culture 288
21. 14. “Everyone’s Property”: Video Copying, Poetry, and Revolution in Arab West Asia 307
22. Bibliography 327
23. Contributors 349
24. Index 353