Skip to main content
Presented to you through Paradigm Publishing Services

Duke University Press

Visit our Partner Page See all our books
Chapter
Licensed
Unlicensed Requires Authentication

INTRODUCTION

© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS vii
  4. INTRODUCTION 1
  5. PART I. INFRASTRUCTURES
  6. 1. Video Documentary and Rural Public Culture in Ethnic China 35
  7. 2. EngageMedia: The Gado Gado Tactics of New Social Media in Indonesia 54
  8. 3. Wei dianying and Xiao quexing: Technologies of “Small” and Trans-Chinese Screen Practices 72
  9. 4. Converging Contents and Platforms: Niconico Video and Japan’s Media Mix Ecology 91
  10. 5. In Access: Digital Video and the User 114
  11. PART II. INTIMACIES
  12. 6. MicroSD-ing “Mewati Videos”: Circulation and Regulation of a Subaltern-Popular Media Culture 133
  13. 7. Documenting “Immigrant Brides” in Multicultural Taiwan 158
  14. 8. Bollywood Banned and the Electrifying Palmasutra: Sensory Politics in Northern Nigeria 176
  15. 9. The Asianization of Heimat: Ming Wong’s Asian German Video Works 198
  16. PART III. SPECULATIONS
  17. 10. Politics in the Age of YouTube: Degraded Images and Small-Screen Revolutions 217
  18. 11. Pop Cosmopolitics and K-pop Video Culture 240
  19. 12. Videation: Technological Intimacy and the Politics of Global Connection 266
  20. 13. Staying Alive: Imphal’s HIV/AIDS (Digital) Video Culture 288
  21. 14. “Everyone’s Property”: Video Copying, Poetry, and Revolution in Arab West Asia 307
  22. Bibliography 327
  23. Contributors 349
  24. Index 353
Asian Video Cultures
This chapter is in the book Asian Video Cultures
https://doi.org/10.1515/9780822372547-002

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS vii
  4. INTRODUCTION 1
  5. PART I. INFRASTRUCTURES
  6. 1. Video Documentary and Rural Public Culture in Ethnic China 35
  7. 2. EngageMedia: The Gado Gado Tactics of New Social Media in Indonesia 54
  8. 3. Wei dianying and Xiao quexing: Technologies of “Small” and Trans-Chinese Screen Practices 72
  9. 4. Converging Contents and Platforms: Niconico Video and Japan’s Media Mix Ecology 91
  10. 5. In Access: Digital Video and the User 114
  11. PART II. INTIMACIES
  12. 6. MicroSD-ing “Mewati Videos”: Circulation and Regulation of a Subaltern-Popular Media Culture 133
  13. 7. Documenting “Immigrant Brides” in Multicultural Taiwan 158
  14. 8. Bollywood Banned and the Electrifying Palmasutra: Sensory Politics in Northern Nigeria 176
  15. 9. The Asianization of Heimat: Ming Wong’s Asian German Video Works 198
  16. PART III. SPECULATIONS
  17. 10. Politics in the Age of YouTube: Degraded Images and Small-Screen Revolutions 217
  18. 11. Pop Cosmopolitics and K-pop Video Culture 240
  19. 12. Videation: Technological Intimacy and the Politics of Global Connection 266
  20. 13. Staying Alive: Imphal’s HIV/AIDS (Digital) Video Culture 288
  21. 14. “Everyone’s Property”: Video Copying, Poetry, and Revolution in Arab West Asia 307
  22. Bibliography 327
  23. Contributors 349
  24. Index 353
Downloaded on 11.5.2026 from https://www.degruyterbrill.com/document/doi/10.1515/9780822372547-002/html?lang=en
Scroll to top button