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Contents

© 2007 State University of New York

© 2007 State University of New York

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgments ix
  5. Introduction 1
  6. Identifying Others 13
  7. Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee 37
  8. “It’s a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies 77
  9. Culturing Violence: Masculine Identification in Irish and African American Gangster Films 117
  10. “Both Sides of the Epic”: Identification and the Nonessentialist Western 151
  11. Conclusion 191
  12. Notes 195
  13. Works Consulted 209
  14. Index 239
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Irish and African American Cinema
This chapter is in the book Irish and African American Cinema
https://doi.org/10.1515/9780791480076-toc

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgments ix
  5. Introduction 1
  6. Identifying Others 13
  7. Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee 37
  8. “It’s a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies 77
  9. Culturing Violence: Masculine Identification in Irish and African American Gangster Films 117
  10. “Both Sides of the Epic”: Identification and the Nonessentialist Western 151
  11. Conclusion 191
  12. Notes 195
  13. Works Consulted 209
  14. Index 239
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