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Chapter Three “It’s a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies
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Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Identifying Others 13
- Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee 37
- “It’s a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies 77
- Culturing Violence: Masculine Identification in Irish and African American Gangster Films 117
- “Both Sides of the Epic”: Identification and the Nonessentialist Western 151
- Conclusion 191
- Notes 195
- Works Consulted 209
- Index 239
Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
- Identifying Others 13
- Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee 37
- “It’s a Wise Child that Knows His Own Father”: Pregnant Performances and Maternal Mythologies 77
- Culturing Violence: Masculine Identification in Irish and African American Gangster Films 117
- “Both Sides of the Epic”: Identification and the Nonessentialist Western 151
- Conclusion 191
- Notes 195
- Works Consulted 209
- Index 239
