Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. List of Main Terms with Chinese Translations viii
5. List of Names with Chinese Character Translations xi
6. Acknowledgements xiii
7. Introduction: Action, Amateurness and the Changing Sense of the Individual Self 1
8. 1 Female First Person Documentary Practice: Negotiating Gendered Expectations 37
9. 2 Amateurness and an Inward Gaze at Home 61
10. 3 Nostalgia toward Laojia: Old Home as an Imagined Past 80
11. 4 First Person Action Documentary Practice: Longing for a More Politicised Space 100
12. 5 The Problematic Public Self: Ethics, Camera and Language in Contestable Minjian Public Spaces 122
13. 6 Camera Activism: Provocative Documentation, First Person Confrontation and Collective Force 141
14. 7 Whose Self on Camera? Motives, Mistrust, Disputed Authenticities 158
15. 8 From Fragile First Person Documentary Practice to Popular Online First Person Live Streaming Broadcast – Zhibo: Changing Intentions, Changing Individual Selves 181
16. Filmography 198
17. Bibliography 201
18. Index 217