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1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- List of Illustrations vii
- Acknowledgements ix
- Notes on the Contributors xi
- Introduction: The Noir Turn 1
- 1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir 16
- 2. Warning Shadows: German Expressionism and American Film Noir 38
- 3. Hard-boiled Tradition and Early Film Noir 58
- 4. Cold War Noir 80
- 5. Noiring the Pitch: The Conflicted Soundtracks of Out of the Past, The Blue Gardenia and The Long Goodbye 103
- 6. Split Screen: Sound/Music in The Stranger/Criss Cross 122
- 7. Gender and Noir 143
- 8. The Subversive Shade of Black in Film Noir 164
- Postscript: A History of Our Writing about Film Noir 182
- Selected Book Chapters on Film Noir 192
- Selected Film Noir Books 196
- Selected Guide to Film Noir 200
- Index 216
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- List of Illustrations vii
- Acknowledgements ix
- Notes on the Contributors xi
- Introduction: The Noir Turn 1
- 1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir 16
- 2. Warning Shadows: German Expressionism and American Film Noir 38
- 3. Hard-boiled Tradition and Early Film Noir 58
- 4. Cold War Noir 80
- 5. Noiring the Pitch: The Conflicted Soundtracks of Out of the Past, The Blue Gardenia and The Long Goodbye 103
- 6. Split Screen: Sound/Music in The Stranger/Criss Cross 122
- 7. Gender and Noir 143
- 8. The Subversive Shade of Black in Film Noir 164
- Postscript: A History of Our Writing about Film Noir 182
- Selected Book Chapters on Film Noir 192
- Selected Film Noir Books 196
- Selected Guide to Film Noir 200
- Index 216