Kapitel in diesem Buch

1. Frontmatter i
2. Contents iii
3. Introduction 1
4. I. Didacticism and Intuition in Russian Formalism and Weimar Film Theory 4
5. II. Determinism and Symbolism in the Film Theory of Eisenstein 27
6. III. Aestheticism and Engagement in Weimar Cinematic Modernism and Soviet Montage Cinema 47
7. IV. Into the Realm of the Wondrous 69
8. V. The World Well Lost 91
9. VI. From Political Modernism to Postmodernism 132
10. VII. The Redemption of Physical Reality 162
11. VIII. Late European Cinema and Realism 203
12. IX. Post-war Italian and Spanish Realist Cinema 228
13. Conclusions 256
14. Select Bibliography 258
15. Index 266