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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments viii
-
Part I: Introduction
- 1. Cinematic “Assemblages”: The 1990s and Earlier 1
- 2. The Geo- televisual and Hindi Film in the Age of Information 42
-
Part II: Informatics, Sovereignty, and the Cinematic City
- 3. Allegories of Power/Information 123
- 4. The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves 156
-
Part III: Myth and Repetition
- 5. Technopolis and the Ramayana: New Temporalities 181
- 6. Repetitions with Difference: Mother India and her Thousand Sons 201
- Epilogue 233
- Bibliography 237
- Index 251
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments viii
-
Part I: Introduction
- 1. Cinematic “Assemblages”: The 1990s and Earlier 1
- 2. The Geo- televisual and Hindi Film in the Age of Information 42
-
Part II: Informatics, Sovereignty, and the Cinematic City
- 3. Allegories of Power/Information 123
- 4. The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves 156
-
Part III: Myth and Repetition
- 5. Technopolis and the Ramayana: New Temporalities 181
- 6. Repetitions with Difference: Mother India and her Thousand Sons 201
- Epilogue 233
- Bibliography 237
- Index 251