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7 Trials and Errors: The Heat of the Day and Postwar Culpability
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Introduction: What is Intermodernism? 1
-
Part I: Work
- 1 A Cassandra with Clout: Storm Jameson, Little Englander and Good European 21
- 2 Englands Ancient and Modern: Sylvia Townsend Warner, T. H. White and the Fictions of Medieval Englishness 38
- 3 ‘A Strange Field’: Region and Class in the Novels of Harold Heslop 56
-
Part II: Comm
- 4 Stella Gibbons, Ex-Centricity and the Suburb 75
- 5 Intermodern Travel: J. B. Priestley’s English and American Journeys 93
-
Part III: War
- 6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction 113
- 7 Trials and Errors: The Heat of the Day and Postwar Culpability 131
- 8 Rebecca West’s Palimpsestic Praxis: Crafting the Intermodern Voice of Witness 150
-
Part IV: Documents
- 9 The Intermodern Assumption of the Future: William Empson, Charles Madge and Mass-Observation 171
- 10 ‘The creative treatment of actuality’: John Grierson, Documentary Cinema and ‘Fact’ in the 1930s 189
- Appendix: Who are the Intermodernists? 208
- Select Bibliography 225
- Notes on Contributors 244
- Index 247
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Introduction: What is Intermodernism? 1
-
Part I: Work
- 1 A Cassandra with Clout: Storm Jameson, Little Englander and Good European 21
- 2 Englands Ancient and Modern: Sylvia Townsend Warner, T. H. White and the Fictions of Medieval Englishness 38
- 3 ‘A Strange Field’: Region and Class in the Novels of Harold Heslop 56
-
Part II: Comm
- 4 Stella Gibbons, Ex-Centricity and the Suburb 75
- 5 Intermodern Travel: J. B. Priestley’s English and American Journeys 93
-
Part III: War
- 6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction 113
- 7 Trials and Errors: The Heat of the Day and Postwar Culpability 131
- 8 Rebecca West’s Palimpsestic Praxis: Crafting the Intermodern Voice of Witness 150
-
Part IV: Documents
- 9 The Intermodern Assumption of the Future: William Empson, Charles Madge and Mass-Observation 171
- 10 ‘The creative treatment of actuality’: John Grierson, Documentary Cinema and ‘Fact’ in the 1930s 189
- Appendix: Who are the Intermodernists? 208
- Select Bibliography 225
- Notes on Contributors 244
- Index 247