Presented to you through Paradigm Publishing Services
Edinburgh University Press
Chapter
Licensed
Unlicensed
Requires Authentication
6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Introduction: What is Intermodernism? 1
-
Part I: Work
- 1 A Cassandra with Clout: Storm Jameson, Little Englander and Good European 21
- 2 Englands Ancient and Modern: Sylvia Townsend Warner, T. H. White and the Fictions of Medieval Englishness 38
- 3 ‘A Strange Field’: Region and Class in the Novels of Harold Heslop 56
-
Part II: Comm
- 4 Stella Gibbons, Ex-Centricity and the Suburb 75
- 5 Intermodern Travel: J. B. Priestley’s English and American Journeys 93
-
Part III: War
- 6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction 113
- 7 Trials and Errors: The Heat of the Day and Postwar Culpability 131
- 8 Rebecca West’s Palimpsestic Praxis: Crafting the Intermodern Voice of Witness 150
-
Part IV: Documents
- 9 The Intermodern Assumption of the Future: William Empson, Charles Madge and Mass-Observation 171
- 10 ‘The creative treatment of actuality’: John Grierson, Documentary Cinema and ‘Fact’ in the 1930s 189
- Appendix: Who are the Intermodernists? 208
- Select Bibliography 225
- Notes on Contributors 244
- Index 247
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgements vii
- Introduction: What is Intermodernism? 1
-
Part I: Work
- 1 A Cassandra with Clout: Storm Jameson, Little Englander and Good European 21
- 2 Englands Ancient and Modern: Sylvia Townsend Warner, T. H. White and the Fictions of Medieval Englishness 38
- 3 ‘A Strange Field’: Region and Class in the Novels of Harold Heslop 56
-
Part II: Comm
- 4 Stella Gibbons, Ex-Centricity and the Suburb 75
- 5 Intermodern Travel: J. B. Priestley’s English and American Journeys 93
-
Part III: War
- 6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction 113
- 7 Trials and Errors: The Heat of the Day and Postwar Culpability 131
- 8 Rebecca West’s Palimpsestic Praxis: Crafting the Intermodern Voice of Witness 150
-
Part IV: Documents
- 9 The Intermodern Assumption of the Future: William Empson, Charles Madge and Mass-Observation 171
- 10 ‘The creative treatment of actuality’: John Grierson, Documentary Cinema and ‘Fact’ in the 1930s 189
- Appendix: Who are the Intermodernists? 208
- Select Bibliography 225
- Notes on Contributors 244
- Index 247