Kapitel in diesem Buch

1. Frontmatter i
2. Contents iii
3. Acknowledgements v
4. Introduction 1
5. 1 ‘If I’m right’: Michael Wood’s In Search of Shakespeare 13
6. 2 ‘I see my father’ in ‘my mind’s eye’: Surveillance and the Filmic Hamlet 31
7. 3 Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race 53
8. 4 The Postnostalgic Renaissance: The ‘Place’ of Liverpool in Don Boyd’s My Kingdom 72
9. 5 Our Shakespeares: British Television and the Strains of Multiculturalism 90
10. 6 Looking for Shylock: Stephen Greenblatt, Michael Radford and Al Pacino 113
11. 7 Speaking Māori Shakespeare: The Maori Merchant of Venice and the Legacy of Colonisation 127
12. 8 ‘Into a thousand parts divide one man’: Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis’ Henry V 146
13. 9 Screening the McShakespeare in Post-Millennial Shakespeare Cinema 163
14. 10 Shakespeare and the Singletons, or, Beatrice Meets Bridget Jones: Post-Feminism, Popular Culture and ‘Shakespea(Re)-Told’ 185
15. Notes on Contributors 206
16. Index 211