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20. The Exhibitors Strike Back: Multiplexes, Video and the Rise of Home Cinema

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© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. Preface viii
  4. Part I: Film History from its Origins to 1945
  5. 1. The Emergence of Cinema 1
  6. 2. Organising Early Film Audiences 21
  7. 3. Nationalism, Trade and Market Domination 45
  8. 4. Establishing Classical Norms 67
  9. 5. The Age of the Dream Palace and the Rise of the Star System 93
  10. 6. Competing with Hollywood: National Film Industries outside Hollywood 120
  11. 7. The Rise of the Studios and the Coming of Sound 147
  12. 8. Realism, Nationalism and ‘Film Culture’ 165
  13. 9. Adjustment, Depression and Regulation 187
  14. 10. Totalitarianism, Dictatorship and Propaganda 208
  15. 11. The Common People, Historical Drama and Preparations for War 236
  16. 12. Wartime, Unity and Alienation 256
  17. Part II: Film History from 1946 to the Present
  18. 13. Postwar Challenges: National Regeneration, HUAC 279
  19. 14. The Politics of Polarisation: Affluence, Anxiety and the Cold War 305
  20. 15. Cinematic Spectacles and the Rise of the Independents 340
  21. 16. New Waves, Specialist Audiences and Adult Films 371
  22. 17. Radicalism, Revolution and Counter-Cinema 392
  23. 18. Modernism, Nostalgia and the Hollywood Renaissance 408
  24. 19. From Movie Brats to Movie Blockbusters 435
  25. 20. The Exhibitors Strike Back: Multiplexes, Video and the Rise of Home Cinema 457
  26. 21. Postmodernism, High Concept and Eighties Excess 483
  27. 22. Cults, Independents and ‘Guerrilla’ Filmmaking 504
  28. 23. From Cinemas to Theme Parks: Conglomeration, Synergy and Multimedia 529
  29. 24. Globalisation and the New Millennium 550
  30. Bibliography 574
  31. Copyright Acknowledgements 585
  32. Index 588
Film Histories
This chapter is in the book Film Histories
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