Edinburgh University Press
Film Histories
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About this book
A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the ‘historical turn’ in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements.Key features*Contains a preface that explains the structure and organisation of the book*Chapter introductions provide a chronological sense of international developments*Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts
Topics
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Frontmatter
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CONTENTS
v -
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Preface
viii - Part I: Film History from its Origins to 1945
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1. The Emergence of Cinema
1 -
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2. Organising Early Film Audiences
21 -
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3. Nationalism, Trade and Market Domination
45 -
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4. Establishing Classical Norms
67 -
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5. The Age of the Dream Palace and the Rise of the Star System
93 -
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6. Competing with Hollywood: National Film Industries outside Hollywood
120 -
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7. The Rise of the Studios and the Coming of Sound
147 -
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8. Realism, Nationalism and ‘Film Culture’
165 -
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9. Adjustment, Depression and Regulation
187 -
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10. Totalitarianism, Dictatorship and Propaganda
208 -
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11. The Common People, Historical Drama and Preparations for War
236 -
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12. Wartime, Unity and Alienation
256 - Part II: Film History from 1946 to the Present
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13. Postwar Challenges: National Regeneration, HUAC
279 -
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14. The Politics of Polarisation: Affluence, Anxiety and the Cold War
305 -
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15. Cinematic Spectacles and the Rise of the Independents
340 -
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16. New Waves, Specialist Audiences and Adult Films
371 -
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17. Radicalism, Revolution and Counter-Cinema
392 -
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18. Modernism, Nostalgia and the Hollywood Renaissance
408 -
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19. From Movie Brats to Movie Blockbusters
435 -
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20. The Exhibitors Strike Back: Multiplexes, Video and the Rise of Home Cinema
457 -
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21. Postmodernism, High Concept and Eighties Excess
483 -
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22. Cults, Independents and ‘Guerrilla’ Filmmaking
504 -
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23. From Cinemas to Theme Parks: Conglomeration, Synergy and Multimedia
529 -
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24. Globalisation and the New Millennium
550 -
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Bibliography
574 -
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Copyright Acknowledgements
585 -
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Index
588