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16 The ‘New’ American Cinema
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS ix
- PREFACE xi
- NOTES ON CONTRIBUTORS xvii
- INTRODUCTION 1
-
PART I EUROPEAN TRADITIONS
- 1 German Expressionism 15
- 2 Italian Neorealism 29
- 3 The French New Wave 41
- 4 The British New Wave 52
-
PART II CENTRAL, EASTERN AND NORTHERN EUROPEAN TRADITIONS
- 5 The Czechoslovak New Wave 67
- 6 Danish Dogma 80
- 7 Post-Communist Cinema 95
-
PART III SOUTH AMERICAN TRADITIONS
- 8 Post-Cinema Novo Brazilian Cinema 117
- 9 New Argentine Cinema 130
-
PART IV AFRICAN AND MIDDLE EASTERN TRADITIONS
- 10 Early Cinematic Traditions in Africa 143
- 11 Israeli Persecution Films 160
- 12 New Iranian Cinema 176
-
PART V ASIAN TRADITIONS
- 13 Popular Hindi Cinema and the Film Song 193
- 14 Chinese Melodrama 203
- 15 Japanese Horror Cinema 214
-
PART VI AMERICAN AND TRANSNATIONAL TRADITIONS
- 16 The ‘New’ American Cinema 231
- 17 The Global Art of Found Footage Cinema 241
- INDEX 254
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS ix
- PREFACE xi
- NOTES ON CONTRIBUTORS xvii
- INTRODUCTION 1
-
PART I EUROPEAN TRADITIONS
- 1 German Expressionism 15
- 2 Italian Neorealism 29
- 3 The French New Wave 41
- 4 The British New Wave 52
-
PART II CENTRAL, EASTERN AND NORTHERN EUROPEAN TRADITIONS
- 5 The Czechoslovak New Wave 67
- 6 Danish Dogma 80
- 7 Post-Communist Cinema 95
-
PART III SOUTH AMERICAN TRADITIONS
- 8 Post-Cinema Novo Brazilian Cinema 117
- 9 New Argentine Cinema 130
-
PART IV AFRICAN AND MIDDLE EASTERN TRADITIONS
- 10 Early Cinematic Traditions in Africa 143
- 11 Israeli Persecution Films 160
- 12 New Iranian Cinema 176
-
PART V ASIAN TRADITIONS
- 13 Popular Hindi Cinema and the Film Song 193
- 14 Chinese Melodrama 203
- 15 Japanese Horror Cinema 214
-
PART VI AMERICAN AND TRANSNATIONAL TRADITIONS
- 16 The ‘New’ American Cinema 231
- 17 The Global Art of Found Footage Cinema 241
- INDEX 254