Painting as an Art
-
Richard Wollheim
Über dieses Buch
One of the twentieth century’s most influential texts on philosophical aesthetics
Painting as an Art is acclaimed philosopher Richard Wollheim’s encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions—philosophy, psychology, and art—to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving—almost reenacting—the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.
Information zu Autoren / Herausgebern
Rezensionen
"There are books aplenty on painting and art, but this is the first to explain seriously what makes painting an art, and it is our good luck to have it from a notable philosopher who is also on an intimate footing with the tradition of Western painting and who knows how to stand in front of a painting and spin tales that sparkle with truth. . . . Wollheim's interpretations are bold, revisionary and cogent. Only a philosopher of his rare gifts, and a connoisseur with his command of the art-historical tradition, could possibly have the confidence to bring off his feat of virtuoso interpretation."---Flint Schier, New York Times Book Review
Fachgebiete
-
PDF downloadenÖffentlich zugänglich
Frontmatter
1 -
PDF downloadenÖffentlich zugänglich
Contents
5 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
Preface
7 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
I What the artist does
13 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
II What the spectator sees
43 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
III The spectator in the picture: FRIEDRICH, MANET, HALS
101 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
IV Painting, textuality, and borrowing: POUSSIN, MANET, PICASSO
187 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
V Painting, omnipotence, and the gaze: INGRES, THE WOLF MAN, PICASSO
249 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
VI Painting, metaphor, and the body: TITIAN, BELLINI, DE KOONING, ETC.
305 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
Conclusion
357 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
Notes
358 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
List of illustrations
376 -
Erfordert eine Authentifizierung Nicht lizenziertLizenziert
Index
381