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VI Painting, metaphor, and the body: TITIAN, BELLINI, DE KOONING, ETC.
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Richard Wollheim
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Chapters in this book
- Frontmatter 1
- Contents 5
- Preface 7
- I What the artist does 13
- II What the spectator sees 43
- III The spectator in the picture: FRIEDRICH, MANET, HALS 101
- IV Painting, textuality, and borrowing: POUSSIN, MANET, PICASSO 187
- V Painting, omnipotence, and the gaze: INGRES, THE WOLF MAN, PICASSO 249
- VI Painting, metaphor, and the body: TITIAN, BELLINI, DE KOONING, ETC. 305
- Conclusion 357
- Notes 358
- List of illustrations 376
- Index 381
Chapters in this book
- Frontmatter 1
- Contents 5
- Preface 7
- I What the artist does 13
- II What the spectator sees 43
- III The spectator in the picture: FRIEDRICH, MANET, HALS 101
- IV Painting, textuality, and borrowing: POUSSIN, MANET, PICASSO 187
- V Painting, omnipotence, and the gaze: INGRES, THE WOLF MAN, PICASSO 249
- VI Painting, metaphor, and the body: TITIAN, BELLINI, DE KOONING, ETC. 305
- Conclusion 357
- Notes 358
- List of illustrations 376
- Index 381
